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Cowboy and Indian (1972) is one of those curious documentaries that immerses you in a slice of Toronto’s artistic life. The film captures the unique partnership between Robert Markle, a Mohawk steelworker turned artist, and his friend Gordon Rayner, who drums like he means it. Their creative chemistry unfolds against a backdrop of jazz-infused conversations, exploring themes of identity and collaboration in a city that never quite lets them be what they want to be. The pacing feels relaxed, almost like you're eavesdropping on their late-night jam sessions, making it intimate and engaging. It’s a gem for those interested in the intersections of race, art, and music, all wrapped up in a rather unorthodox setting.
Cowboy and Indian has seen limited releases over the years, making it somewhat elusive for collectors. Most copies are on VHS, and finding quality prints can be a challenge. Interest is slowly growing, particularly among those who appreciate art documentaries or the unique Toronto art scene of that era. It’s a fascinating piece for anyone looking to explore lesser-known documentaries from the '70s.
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