Crimen a las tres

About This Movie

Crimen a las tres is an intriguing piece from 1935 that showcases the drama of sacrifice wrapped in the bittersweet notes of love. The atmosphere feels heavy and charged, with a palpable tension as our lead, a famous singer, navigates the murky waters of loyalty and blame. The pacing is deliberate, allowing the weight of each choice to settle in; it draws you in and doesn't let go. Saslavsky's directorial touch might come off as rough around the edges, but it adds a certain charm that feels authentic. With practical effects that are simple yet effective, this film is a rare gem, especially considering its status as a lost work—one can only imagine what performances and nuances have slipped through time's fingers.

As a collector, Crimen a las tres piques your interest not only for its narrative but also for its historical context – it’s Luis Saslavsky's debut, and sadly, it’s considered lost. The scarcity of any existing prints makes it a notable entry in discussions about early Argentine cinema. Finding this film can be quite the challenge, but the allure of what might have been, combined with its thematic richness, keeps collectors intrigued.