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D. is a fascinating snapshot of a fleeting life, specifically the life of sound recordist D. Montgomery, who worked on Caveh Zahedi's I DON'T HATE LAS VEGAS ANYMORE. The film has this raw, almost intimate feel, like you're privy to the quiet moments of a person's journey. It doesn't rush through its pacing, allowing us to linger on Montgomery's thoughts and experiences, which somehow resonate with a broader theme of the transient nature of existence. There's something haunting about its atmosphere, and it captures the essence of a creative soul who was deeply connected to his craft. The performances, though understated, carry a weight that lingers long after viewing.
This film seems to be largely under the radar, making it a bit elusive for collectors. It's not widely available on traditional formats, which adds to its allure and scarcity. The limited release has left many fans of Zahedi's work eager to find it, and the few copies that do circulate are often highly sought after, especially in niche collector circles.
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