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Dai san no jôji is an interesting entry in the 1965 pinku genre. It has this raw, unrefined quality that gives it an edge, capturing the essence of its time. The pacing is somewhat erratic, which adds to its charm, I think, making it feel alive and unpredictable. The performances, while not polished, are full of earnestness, and there's a certain grit to the practical effects that feels almost refreshing. One of the film's distinctive features is its approach to themes often brushed aside, showcasing a more nuanced side of sexuality and relationships, wrapped in the quirky, often surreal style typical of pinku cinema.
Dai san no jôji has had a complicated distribution history, with limited releases on VHS and some obscure DVD editions floating around. It remains somewhat scarce, often eluding casual collectors, which piques the interest of those delving into the pinku genre. As its themes and style are emblematic of the era, serious collectors tend to keep an eye out for it, especially in better quality prints.
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