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Dal diario scolastico di Cesare Cornoldi has this gentle, almost nostalgic quality that captures the awkwardness of youth. It’s a short yet poignant look at boys fumbling through their first attempts to connect with girls, all wrapped up in Olmi’s delicate touch. The pacing is unhurried, allowing moments of silence to speak as loudly as the dialogue. You can’t help but feel that tender, relatable tension—they’re not just struggling to speak; they’re grappling with their identities and the weight of expectations. The performances are natural, almost documentary-like, which adds to its charm. There’s something about the way it portrays childhood innocence that lingers with you.
This short film by Olmi is a bit of a rarity, often overlooked in the broader discussions of his work. Its limited releases combined with the niche appeal of short-form TV cinema can make it somewhat elusive for collectors. While it might not be widely known, those who appreciate Olmi's thematic depth and subtle storytelling often find value in adding it to their collections, especially as it reflects a unique aspect of his filmography.
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