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So, Decroux Film, right? It's this intriguing unfinished workprint from Shirley Clarke, shot back in the mid-'50s. You really feel the rawness of the documentary approach. Instead of the anticipated focus on the master mime Étienne Decroux, you get Clarke's experimental spirit, which breathes life into the streets of Paris. The pacing is a bit uneven, like she's still figuring things out, and that's part of its charm. The atmosphere captures that post-war Parisian vibe, blending art and life in a unique way. There’s something special about the way she captures movement, even if it's not fully realized. It's a fascinating glimpse into a world that almost was.
Unfinished workprint from 1955, interesting historical context.Explores the intersection of mime and documentary filmmaking.Captivating Parisian streets and atmosphere, even in rough form.
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