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Denials (1985) is a film that really plays with perception and structure, crafting an experience that feels more like an art installation than a traditional narrative. The pacing is deliberate, almost meditative, allowing fragments to float in and out, reminiscent of the approach taken in Kiarostami's Close Up. There's an intriguing tension in how the sequences are assembled, prompting you to question what is real and what is constructed. The atmosphere is thick with ambiguity, and though the practical effects might not be groundbreaking, they contribute to this unique collage-like feel. The performances are understated yet captivating, each actor seems to embody a piece of the larger puzzle, making you think long after the credits roll.
Denials is a lesser-known piece that often flies under the radar, making it somewhat rare in collector circles. Its format history is a bit murky, often seen in limited VHS releases and occasional screenings at niche film festivals. As a collector, you might find it intriguing due to its unconventional approach and the discussions it sparks about representation in cinema, leading to a niche but dedicated interest from those who appreciate experimental film.
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