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Deux fois is this curious piece from 1968 that offers a bunch of minimalist vignettes, often revolving around Raynal herself. It's an exercise in repetition, where actions and dialogue loop back on themselves, kind of like a puzzle that’s constantly shifting. There’s a rawness to the atmosphere, and the pacing is deliberately unhurried, prompting you to reflect on every little moment. The themes of deconstructing cinematic meaning and the portrayal of women are pretty bold for its time, making you think about how storytelling can be twisted. The performances feel almost ephemeral, as if they’re meant to provoke rather than entertain in a conventional sense.
This film has had a rather limited release history, which makes it a bit of a rarity among collectors. Various formats have turned up over the years, but finding a well-preserved copy is another story. Interest in Deux fois has been growing as audiences look for more avant-garde and experimental works from the late 60s. Its unconventional approach and significance in feminist film discourse keep it on the radar for those who appreciate the more obscure corners of cinema.
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