Discourse on a Chair

About This Movie

Discourse on a Chair is an early piece by Kentridge that really showcases his unique animation style. It’s made entirely with Magic Markers, which gives it this raw, tactile feel that’s quite distinct. The pacing is contemplative, almost meditative, and the visuals have a sort of playful yet somber tone. It feels like you’re peering into his thoughts, as the abstract imagery flows and transforms, inviting various interpretations. The themes—communication, memory, and the absurdity of life—are all there, but it’s the way Kentridge brings them to life through these simple animations that makes it remarkable. It’s not just a film; it’s an experience, one that feels very personal yet open to anyone’s interpretation.

First released in the mid-1970s, Discourse on a Chair has become a curiosity among collectors, particularly those interested in early animation techniques. The scarcity of original prints makes it a sought-after item, and its unique production method adds to its intrigue. While it might not have the widespread recognition of his later works, Kentridge's early exploration of animation forms a critical part of his artistic evolution, capturing a moment in his career that collectors often appreciate for its experimental nature.