D.M.T.

About This Movie

D.M.T. is an intriguing piece from 1966, wrapped in a haze of psychedelic influences. The visuals are a mix of slides created by Jackie Cassen that dance alongside Mary McKay's expressive choreography. The soundscape is a curious blend of Bach, The Beatles, and Ralph Metzner's readings—it's a trip, in every sense. You feel the era’s experimentation with consciousness, almost like you’re part of a collective experience. The pacing is unconventional, reflecting the exploratory nature of the material, and its atmosphere is thick with the mystique of the counterculture. There's a certain charm in its rough edges and earnest attempt to carve out a space for deeper introspection.

D.M.T. remains a bit of an obscure gem in the collector's world, often overshadowed by more mainstream psychedelic films. Its format history is somewhat scattered, making original prints rare and sought after. While not in high circulation, those who appreciate the avant-garde and experimental cinema of the 60s often show interest in this title, and it occasionally pops up at niche film festivals or in specialized screenings.