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DON'T SHOOT THE COMPOSER is such an intriguing piece, really a blend of styles that plays with the viewer's expectations. It kicks off in this playful parody of French noir, which is pretty clever given the subject. The pacing has this nice rhythm, moving between Delerue's music and Russell's vivid direction. What stands out is how it captures that essence of the 60s, with its artful use of practical effects mingled with a bit of cheeky humor. You get this delightful vibe of experimentation that’s so characteristic of Ken Russell's approach. The film feels alive with creativity, showcasing not just the composer but also the era's spirit.
This film has had a limited release history, primarily existing in obscure video formats, which makes it a bit of a rarity among collectors. There’s a certain allure in its scarcity that draws interest, especially for those who appreciate the intersection of music and film. Finding it in good condition can be a challenge, adding to its desirability. The film's unique thematic mix and stylistic choices offer a fascinating glimpse into Delerue's world and Russell's early direction.
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