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Dui ma? unfolds like a collection of potent vignettes, each one layering over the last to create a pulse of unease. The film's structure feels almost chaotic, yet it mirrors the tumultuous shifts in contemporary Chinese society. François Daireauxâs visual style is strikingâimpressions flicker by, leaving you with a sense of disorientation that echoes the filmâs subject matter. The pacing is erratic, much like the lives caught in the throes of change. What stands out is its raw, almost journalistic approach; practical effects are minimal, but the emotional weight is palpable. Itâs not about narrative continuity but about the visceral experience of living through instability, a disquieting reflection of our times.
Unique documentary styleFocus on social changeVisual experimentation
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