Erwin, Toni, Ilse

About This Movie

So, Erwin, Toni, Ilse—this one’s pretty fascinating. It’s one of Friedl Kubelka’s early experiments, shot in that late ‘60s vibe, you know? Super raw and unedited, filmed at 16 frames per second, which gives it this almost hypnotic quality. Kubelka's influence from Nouvelle Vague and Existentialism really seeps through, making the whole thing feel like a visual poem rather than a traditional narrative. The pacing is languid, almost meditative, as you watch these photo portraits unfold. It’s a study in stillness and presence, really, where the subjects become these living canvases of emotion and thought. Quite distinctive in the way it embraces the imperfections of life on film.

This film is quite rare in collector circles, primarily due to its limited release and the niche interest in Kubelka's work. It was originally distributed in specific formats, making it harder to find in today’s market. Interest often hinges on the film's unique approach and the historical context of its creation, reflecting a specific moment in avant-garde cinema that continues to intrigue collectors.