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Even Little Grass Has Its Own Name captures the struggles of female office workers in Korea with a raw and intimate lens. Shot in 16mm, that grainy texture gives it an almost documentary feel, which really immerses you in the atmosphere of the late '80s. The film is divided into two parts, with the first half focusing on the complex, often painful dynamics of married women balancing work and familial expectations. The performances are understated but powerful, lending an authentic weight to their conflicts. What sets this film apart is how it refuses to simplify its characters; they’re multi-dimensional, grappling with societal pressures while searching for their own identities. It’s a fascinating piece that feels both personal and universal.
First film addressing female office workers in Korea.Co-produced by Womenlink and the Feminist Film Collective Parituh.Divided into two parts focusing on personal and societal struggles.
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