Ever the Avant-Garde of the Avant-Garde till Heaven and After

About This Movie

Ever the Avant-Garde of the Avant-Garde till Heaven and After is one of those films that really makes you reconsider what cinema can be. It dances through time in ways that are decidedly non-linear, embracing a certain chaotic charm. The audience is invited to participate in this unfolding spectacle, which, depending on the projection, morphs in both image and sound—like a living organism. Maurice Lemaître’s contributions feel almost like a whisper guiding us through the bizarre landscape of the film, but they also leave you hanging at the edges of comprehension. The pacing is erratic, yet somehow meditative, weaving between moments of stark imagery and abstract soundscapes. It's a film that undoubtedly challenges conventional narratives and remains a curious artifact of its time.

This film is quite rare in the collector circuit, with limited prints floating around, making it a sought-after piece for avant-garde enthusiasts. Its format history is intriguing, with variations in projection leading to different interpretations, which only adds to its mystique. Collectors often seek out specific versions, as each may offer a distinct experience, reflecting the film's essence of change. The scarcity paired with its experimental nature makes it an engaging topic among film scholars and collectors alike.