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Evergreen (1964) is this intriguing black and white UCLA student film that really captures that experimental vibe of the time. It feels raw, almost like a candid peek into the minds of young filmmakers, which is probably why it struck a chord with the Library of Congress. Ray Manzarek, known more for his work with The Doors, gives it a unique flavor, and the performances, particularly by Dorothy Fujikawa, bring an unrefined sincerity that resonates. The pacing has this almost dreamy quality, and there’s a certain charm in its practical effects, making it stand out among other student films of the era. It’s a slice of history that reflects the cultural shifts of the '60s, and the preservation efforts make it even more significant.
Evergreen holds a special place in collector circles, particularly due to its preservation by the UCLA Film and Television Archive and its inclusion in the National Film Registry. As a student film, it’s not widely distributed, making original prints somewhat scarce. The film's historical importance and the curiosity around Manzarek's directorial approach contribute to its appeal for collectors, as it provides a glimpse into the experimental filmmaking of the 1960s.
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