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So, ‘Every Film’ is this intimate dive into the filmmaker’s life during his student years in Ghent, you know? It's structured like episodes, almost like a visual diary. The homes he explores are kind of an extension of his thoughts – both real and imagined. There’s a rawness to the way it captures those two years, especially with the pandemic looming. The pacing feels reflective, almost meditative, as it wanders through memories and spaces. You get a real sense of isolation but also connection – it's quiet and contemplative. The cinematography is quite simple yet effective, allowing the atmosphere to breathe. It feels personal, like you’re peeking into someone’s thoughts as they navigate change.
Diaristic narrative styleExploration of homes and spacesThemes of isolation and connection
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