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Everything (1972) is quite the head-scratcher, really. It opens with a quirky song on a blackboard, a Polish rendition of Almeda Riddle's tune. The film then transitions into this odd sequence with two guys rolling around trash bins as if it’s some sort of performance art. The pacing is deliberately slow, almost meditative, creating an atmosphere that feels like you're eavesdropping on a dream. The seemingly mundane actions take on a new life, echoing themes of labor and everyday existence. The end, well, it leaves you with a lingering sense of something unfinished, a reflection of life itself. Definitely not your typical documentary, and that's what makes it stand out.
Everything is a rare piece in the documentary genre, with limited releases over the years making it quite elusive for collectors. Its unconventional style and peculiar narrative have garnered a niche following, though mainstream recognition remains scant. Many collectors appreciate its artistic approach and the intriguing themes it presents, ensuring its value as a unique addition to any collection focused on avant-garde cinema.
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