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Everything Goes is an intriguing blend of domestic drama and unfulfilled desire, set against the backdrop of a modest dress shop. Annie, played by Erika Cool, seems trapped in her marriage to Jacques, whose flirtations with customers only deepen her discontent. The film's pacing feels languid, almost dreamlike, as Annie drifts through her days, caught between reality and her wistful daydreams. It captures a certain melancholy—their mundane life juxtaposed with her longing for romance. The performances, particularly Cool’s, convey a subtle depth that lingers. What stands out is the film's ability to evoke a sense of yearning without falling into overt melodrama, making it distinctive in its quiet exploration of marital disillusionment.
Everything Goes remains somewhat obscure, with limited availability across formats, often surfacing in niche collections or at film festivals. Its scarcity contributes to a growing interest among collectors who appreciate lesser-known works of the era. The film has seen few releases and remains an elusive piece for those focused on 70s international cinema, making it a notable find for dedicated enthusiasts.
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