Face in Motion

About This Movie

Face in Motion is quite an oddity, really. It’s just Chang Chao-Tang’s head, but the way it’s shot—at two frames per second—makes it feel almost hypnotic. The stark black background emphasizes his expressions, and that dim glow around him gives the whole thing an eerie vibe. You can’t help but get drawn into the nuances of his face, the subtle contortions, and the almost meditative pacing. It’s not typical fare, but it’s exactly this unusual approach that sets it apart. You find yourself contemplating the nature of movement and expression in a way that’s pretty uncommon in most other films from that period.

Face in Motion is somewhat elusive, rarely popping up in discussions of 1970s cinema, which adds to its intrigue as a collector's item. Its minimalistic approach and unconventional shooting style have sparked interest among experimental film aficionados. It's not widely available in standard formats, making original screenings or rare VHS tapes particularly coveted among niche collectors. The film’s unique aesthetic and thematic depth ensure it occupies a distinct spot in the landscape of avant-garde cinema.