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So, False Pretenses is an intriguing continuation of Andrew Noren's The Adventures of the Exquisite Corpse, diving deeper into that labyrinthine narrative style he’s known for. The atmosphere here is thick, almost surreal, with a pacing that mirrors the ebb and flow of dreams—confusing yet oddly captivating. The practical effects, though perhaps not cutting-edge by today’s standards, serve the film’s theme of illusion quite well. Performances are unpolished, creating an authentic feel, making you question what's real and what's not. It's a unique piece in the avant-garde genre, really; if you're into experimental cinema, this one has a vibe that's hard to shake off once you've seen it.
False Pretenses has had a rather uneven journey in terms of availability. It’s occasionally popped up in obscure film festivals or niche retrospectives, but you won’t find it in mainstream collections. As a collector, you might appreciate its scarcity, especially if you're into 70s experimental works. The film’s unique approach and the overall aesthetic make it a noteworthy piece for those who delve into the depths of avant-garde cinema.
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