finally destroy us

About This Movie

So, 'Finally Destroy Us' is this intriguing piece from '91 that really captures the ethos of the time, especially regarding the AIDS crisis. It’s not your typical narrative film, more like a visual poem that plays with images and sounds in a way that feels both intimate and raw. The pacing is deliberately languid, which allows the viewer to really absorb the layers of meaning around sexuality and human connection. Kalin’s work is remarkable in its poetic approach, weaving together music and text that feels almost like a meditation on the struggles of the era. It’s distinctive for its artsy, experimental vibe, definitely something that resonates if you’re into the more avant-garde cinema of the early '90s.

This film has been released in a few formats, but original VHS copies are quite scarce, making it a point of interest for collectors. Its experimental nature means that it doesn’t show up often in the usual catalogues, leading to a niche but dedicated following. The unique blend of visuals and music from a pivotal era in LGBTQ+ history makes it a fascinating piece for anyone diving into avant-garde cinema from the early '90s.