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This early UCLA student film, though shrouded in obscurity, offers a bizarre and captivating look into the experimental filmmaking of the 60s. The absurdist sequences escalate in violence, creating an unsettling yet intriguing atmosphere that feels both chaotic and oddly structured. You can sense the youthful energy and ambition of the students, with Jim Morrison bringing a unique touch to the sound design. There’s a rawness to the performances that feels genuine, almost like a window into the creative minds of the time. It’s not polished, but that’s part of its charm – a snapshot of a transformative period in cinema, with echoes of the avant-garde lurking in its corners.
This film has a bit of a cult following among collectors due to its unique position in film history and the involvement of Jim Morrison. However, finding a decent copy can be challenging, as it hasn’t had a wide release and is often relegated to underground film circuits. Those interested in the evolution of experimental cinema and the work coming out of UCLA during this era often seek it out, making it a notable piece for those who appreciate the roots of avant-garde filmmaking.
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