Flesh of Morning

About This Movie

Flesh of Morning is a curious little piece from '56, blending the mundane with the surreal. It's shot in black and white, and there's this intimate exploration of skin textures that feels both personal and slightly eerie. The way reality seems to warp around Brakhage in the morning light creates a dreamlike atmosphere that's hard to shake off. You can sense a rawness in the practical effects, a tactile quality that pulls you in. This film has a slow, deliberate pacing, giving you time to really absorb the moments. The revised version in '86 adds a layer of intrigue, almost like a dialogue with its former self, which makes it a unique watch for those who appreciate the evolution of experimental cinema.

Flesh of Morning is a bit of an enigma in the collector community, primarily due to its obscure origins and the unknown director. It's not widely available, which adds to its allure, and I've seen varying versions floating around among collectors—some pre-revision, some post. The scarcity of reliable prints makes it something of a treasure for those who appreciate experimental works, and it often sparks conversation about the evolution of film language through its unique visual style.