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Fleshfilm is this fascinating piece that weaves together the jazz-inflected words of Ken Nordine with a surreal collage of body parts. It’s got this almost dreamlike quality, and the pacing feels like a slow crawl through a vivid, yet unsettling landscape. The practical effects are intriguing, blending the rawness of Kötting's super 8 footage with a deeply personal exploration of flesh and identity. The commentary on body and self is both haunting and thought-provoking, and that atmosphere is hard to shake off. It has this unique vibe where it’s simultaneously grotesque and beautiful, making it a standout in experimental cinema for those who appreciate the oddities of film art.
Fleshfilm has seen limited releases, mostly in niche circles, so it’s not the easiest find. Its scarcity makes it quite intriguing, particularly among collectors interested in experimental works. The various formats, especially those original super 8 versions, hold a certain allure for anyone keen on the avant-garde side of film. There’s a growing interest in films that challenge conventional narratives and aesthetics, and Fleshfilm certainly fits that bill.
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