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Funeral (On the Art of Dying) is a deeply personal piece from Boris Lehman that feels like a contemplative meditation on mortality. The film drifts through a series of vignettes, blending the artistic and the autobiographical, and it really has this haunting quality that sticks with you. It’s not about flashy visuals or high-budget effects; it’s raw and introspective, with a pacing that invites reflection rather than simple consumption. The atmosphere is thick with nostalgia and sorrow, and Lehman’s performance feels like he’s laying his soul bare, as he examines life, loss, and the passage of time. There’s something distinctly intimate about this final chapter of his cinematic journey.
This film, while not widely recognized, holds a certain allure for collectors interested in personal cinema and experimental narratives. Its rarity adds to its appeal, as it encapsulates over three decades of Lehman's artistic endeavors through a unique lens. Many copies are difficult to find, given its limited distribution, but those who appreciate intimate, autobiographical works may find it particularly compelling to include in their collections.
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