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Getting In is a curious exploration of the intersection between desire and real estate, set against the vibrant backdrop of San Francisco. The pastel hues of the visuals create a deceptive sense of calm, but the narrative slowly reveals the absurdities and tensions inherent in its themes. The pacing is uneven, almost mirroring the unpredictable nature of the characters' lives as they navigate their ambitions and relationships. The performances bring a certain raw energy, making the characters feel grounded despite the sometimes surreal situations they find themselves in. It's not just a commentary on sex and housing; it’s a reflection on the societal norms that shape our interactions.
Getting In has had a somewhat obscure distribution history, making it a bit of a hidden gem among collectors. There are limited editions and some vintage copies out there, but overall, it's not overly common in circulation. This scarcity tends to pique interest for those who like to delve into lesser-known works of the 80s, especially ones that tackle such peculiar themes with a quirky atmosphere.
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