God Bless the Child

About This Movie

God Bless the Child feels like a deeply personal journey, blending Harris's early experiences with a raw and haunting visual style. The mix of 16mm footage shot in Senegal with personal archives gives it this unique texture, almost like a visual diary. The pacing is deliberate, allowing the audience to absorb the weight of the themes surrounding child welfare and systemic issues, particularly in the context of Black identity. It’s that kind of film that lingers, challenging viewers to reflect long after it’s over. The atmosphere is heavy yet poignant, making it distinctive in its narrative approach and aesthetic choices.

This film is still relatively rare in circulation, which adds an interesting layer for collectors. It’s worth noting that the format—16mm—combined with found footage creates a unique viewing experience that some might find difficult to replicate in other formats. As a piece that speaks to modern social issues through a personal lens, it’s likely to garner interest from those who appreciate films that challenge conventional storytelling and provoke thought.