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Gonzague, from 1934, brings together the absurdity of the superstitious new wealthy with a lighthearted comedic touch. The plot spins a web of intrigue as they invite a piano tuner, pretending he's a prince to fend off their fears of bad luck. The film plays with misunderstandings and mistaken identities, especially with one character's jealousy over Gonzague's assumed role as a lover. The pacing is brisk, allowing for a delightful romp through their petty concerns and the escalating absurdity. It's a real snapshot of a certain era's humor, layered with a comedic exploration of class and societal norms that still feels relevant in its own quirky way.
Gonzague is a bit of an obscure title that collectors might find intriguing, especially given its unique premise and the comedic approach to social commentary. The film has seen limited releases over the years, making home media editions quite scarce, particularly in good condition. Its charm lies in the whimsical performances and the clever way it addresses themes of class and superstition, which might appeal to those interested in lesser-known comedies from this era.
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