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Good Ones is a fascinating piece, almost an experimental tale wrapped in a surreal atmosphere. The pacing feels deliberately disjointed, reflecting the chaotic energy of the protagonist, Khia Charli. It’s this strange blend of humor and somberness at a funeral that sets it apart. The performances are raw, almost visceral, particularly Charli’s, who commands the screen with a boldness that’s hard to ignore. Practical effects are minimal but effective, enhancing the dreamlike quality. Themes of loss and self-identity weave through the narrative in unexpected ways, capturing something uniquely unsettling yet oddly relatable.
Good Ones has been released in limited formats, often hard to track down. Its scarcity adds an interesting layer for collectors, as it seems to have slipped under many radars despite its unique narrative. The curiosity around its unknown director and unconventional storytelling approach invites discussion among enthusiasts. It’s not your typical film, and that’s precisely what makes it a topic of interest for those who appreciate the offbeat and obscure.
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