Hell is Already in Us

About This Movie

Hell is Already in Us dives deep into the murky waters of Lucio Fulci's 1972 Giallo, Don't Torture a Duckling. The film takes on a unique video essay format, weaving together critical analysis and personal reflection to tackle the accusations of misogyny that often surround Fulci's work. It’s contemplative and moody, punctuated by haunting visuals from the original film that really sets the atmosphere. The pacing is deliberate, allowing moments of tension to breathe while inviting viewers to grapple with the complex themes of violence and gender. It's not just an examination of a filmmaker; it’s an exploration of how art interacts with societal issues. Definitely a film that resonates more as you think about it.

Hell is Already in Us has a somewhat niche appeal, often sought after by those interested in both Giallo cinema and critical film discourse. Its format as a video essay makes it distinct from traditional documentaries, giving it a certain rarity that collectors appreciate. While it has seen limited releases, especially in certain regions, it garners interest for its analytical approach to a controversial subject in classic horror. Collectors tend to value it not just for the content but for its fresh perspective on Fulci's legacy.