Here Comes Everybody

About This Movie

Here Comes Everybody is a fascinating nugget from 1960, sporting that raw, student film vibe that you can't quite replicate. Les Blank, usually behind the camera, takes a rare turn in front of it, and you've got Getachew Abbai bringing his own unique flair. The black and white aesthetic pairs perfectly with the comedic tone, giving it a timeless quality that feels both personal and experimental. The pacing is casual, almost like you're eavesdropping on a couple of guys just riffing off each other, which adds to its charm. It's a short 10 minutes that feels like a glimpse into the early days of indie filmmaking, capturing that sense of fresh creativity that the USC School of Cinematic Arts was all about.

This short film has a certain scarcity to it, not just because of its age but also due to its limited releases over the years. The connections to the USC School of Cinematic Arts add an interesting layer for collectors, many of whom appreciate the roots of independent cinema this film represents. There aren't many prints circulating, making it a curiosity for those who delve into early works of notable filmmakers and actors, especially Les Blank's unusual appearance in a comedic role.