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So, 'I Want' is a fascinating piece that really plays with form and content, you know? With Sharon Hayes delivering this kind of speech that pulls from Chelsea Manning's whistleblowing and Kathy Acker's punk poetry, it creates an atmosphere that's both defiant and reflective. The pacing is deliberate, allowing you to really sink into the layered meanings of identity and resistance against normative gender and sexuality constructs. There's something truly distinctive about the way these different temporalities are woven together, making you question the very nature of self-expression in a world that often tries to box you in.
This film is a bit of an enigma, given its unknown origins and director, which adds to its allure among collectors. There's limited information on its distribution, making any format—be it VHS or digital—quite sought after in niche circles. Its exploration of themes related to identity and resistance has sparked interest, so it tends to come up in discussions about avant-garde cinema and its intersection with political discourse.
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