I’m Crazy, I’m Foolish, I’m Nasty

About This Movie

I’m Crazy, I’m Foolish, I’m Nasty is a curious dive into the life of Ensor, blending rebellious artistry with a touch of dark humor. The film's pacing feels unhurried, allowing you to soak in the absurdity of its subject, a man caught between brilliance and grotesque self-absorption. Luc de Heusch's direction offers an atmosphere thick with irony, showcasing Ensor’s duality as both a Sunday musician and a self-plagiarizing artist. The performances hint at a kind of madness that keeps you engaged, while the themes of misogyny and artistic integrity resonate through the layers of his personality. It’s a distinct piece that leaves a lingering taste of complexity and contradiction, almost like the man himself.

This film is somewhat elusive, not widely circulated in mainstream collections. Given its unique narrative style and themes, it draws interest from niche collectors who appreciate unconventional biographical films. Its scarcity, especially in original formats, contributes to a certain mystique, making it a topic of conversation among aficionados of avant-garde cinema.