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So, 'Isosceles' is quite a peculiar piece, really. It’s not about grand narratives or flashy effects, but rather an introspective look at a forgotten public restroom in London’s Smithfield Market. The choice of a triangular, defunct structure as the focal point gives it a certain surreal quality, almost like it’s a character in its own right. The director's approach is methodical, allowing the camera to linger on shadows and textures, creating an atmosphere of quiet contemplation. You can feel the weight of history in the air, especially with Smithfield dating back to the 10th century. It’s one of those films that demands patience from its audience, yet rewards with a compelling sense of place and time, all wrapped in a layer of mystery.
Isosceles has a niche appeal, particularly for collectors drawn to experimental films or urban studies. It has seen limited releases, making physical copies a bit of a rarity, especially if you're after original prints. The film's focus on a singular, unassuming location sets it apart, highlighting how everyday spaces can hold untold stories. As such, it garners interest from those who appreciate films that tread lightly but leave a lasting impression.
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