Jesus

About This Movie

So, Jesus (1979) is this fascinating blend of documentary vibes and avant-garde expression that really pulls you in. Michel Auder captures some raw discussions among underground artists and those connected to Warhol, diving into their personal beliefs. The pacing feels almost hypnotic, as it flits between these candid interviews and eclectic visuals—think evangelical TV snippets, art, and various cultural references all swirling in a kind of collage. It’s distinctive for how it juxtaposes high art with pop culture, making you think about faith and creativity in a gritty, urban context. It’s not your typical documentary, that’s for sure.

Jesus has seen limited releases, making it somewhat scarce in collector circles. The original screenings, particularly at The Kitchen, add to its allure, as they were rooted in a vibrant New York art scene. Many collectors value the film for its raw, unfiltered take on faith and art, and the mix of formats used throughout creates a textured viewing experience that’s not easily replicated in other works. If you can find it on physical media, it’s a nice piece to have for those interested in the intersection of art and belief from that era.