Jesus Was Invitro

About This Movie

So, 'Jesus Was Invitro' is kind of this enigma, right? It’s not just a film but a canvas for Lewis Klahr’s experimentation with found footage and narrative deconstruction. The pacing feels almost meditative, letting you sit with images and sounds that pulse with a strange energy. Klahr's work often distills raw emotion and contradiction, and this piece is no different, resonating with themes of creation and existential inquiry—very appropriate given the title. Practical effects, if there are any, blend seamlessly into the collage of visuals, giving it a tactile quality. It’s not mainstream by any stretch, but that’s what makes it distinct and worth looking into for those who appreciate the abstract and the avant-garde.

'Jesus Was Invitro' remains somewhat elusive in terms of availability, which adds to its allure among collectors. The film's unique experimental nature has led to limited releases, making it a rare find for those keen on Klahr's work. Its connection to the two other titles in 'Circumstantial Pleasures' further complicates its cataloging, as many collectors enjoy tracing these thematic links. Overall, the film's scarcity and distinctive approach contribute to a growing interest among serious collectors.