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Jitsuroku: Maruhi tsûkin chijo nikki is quite a curious entry from 1976, offering a rather provocative take on the themes of sexual harassment, particularly in the context of women's liberation. The film dives into the lives of its characters, like the playful Akiko who delights in teasing men on the subway, and the poised Asada Tomoko, an instructor at a flower arranging school who leads a double life engaging in similar antics. There's this intriguing blend of social commentary and personal drama, carried through with a distinctively gritty atmosphere typical of the era. The pacing feels almost languid, giving time for the tension to build in those crowded train cars. The performances are a bit raw but resonate with authenticity, making it a fascinating watch for collectors interested in the intersection of gender politics and 70s Japanese cinema.
This film has had a limited release history, primarily available in niche markets and often hard to find on physical media. Its underground appeal has garnered a small but dedicated following among collectors who appreciate its blend of social themes and intimate storytelling. The scarcity of quality prints and its unique perspective on gender dynamics make it increasingly sought after, especially in discussions surrounding 70s Japanese cinema.
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