John Zorn's Naked City: Montreux Jazz Festival 1990

About This Movie

So, here we have 'John Zorn's Naked City: Montreux Jazz Festival 1990.' It's got this raw energy, a sort of chaotic jazz that pulls you in. Zorn on alto sax delivers this intense, sometimes abrasive sound that feels like a conversation more than a performance. The ensemble, featuring Frisell's guitar and Horvitz's keyboards, creates this atmospheric backdrop, weaving in and out of melodies that are both jarring and beautiful. It's a showcase of improvisation, with each musician breathing life into the piece, making it feel spontaneous. The pacing ebbs and flows, with these frenetic bursts that will leave you reeling, yet there's always a thread of cohesion that ties it all together. It's a fascinating snapshot of a moment in jazz history.

This film is somewhat elusive in terms of format history, with various releases over the years, but none that have truly saturated the market. Given the niche appeal of Zorn's work and the distinctive lineup, collector interest tends to lean towards early editions or unique formats. Scarcity can vary, but it's worth noting that dedicated fans of avant-garde jazz often keep an eye out for any fresh finds or unearthing of lost footage from this performance.