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Key (1968) intrigues with its unique approach to time and space, really. The slow zoom-out and the gradual defocus create this almost hypnotic atmosphere. It feels like a meditation on disembowelment, not just in terms of physicality but the very nature of duration itself. There's a rawness to the practical effects that makes you sit up and take notice, and it challenges your perceptions rather than spoon-feeding them. The pacing is deliberate, allowing you to linger in moments that might otherwise be overlooked. It’s like a deep dive into the subconscious, with layers that peel back as you watch, making it a curious piece for those interested in experimental cinema.
Key (1968) remains somewhat elusive in the collector's market, with its experimental style not always appealing to mainstream audiences. The original prints are scarce, and various formats have circulated over the years, but finding a decent copy is a task often met with frustration. There's a niche group of collectors who appreciate its artistic merit, making it a fascinating piece for anyone delving into avant-garde cinema or the exploration of time in film.
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