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Killing Time has this gritty, pulpy vibe that really draws you in. The plot's a bit convoluted, but that's part of its charm. You get this blend of action and crime, wrapped up in a thriller package. Robert Bryant, played with a sort of weary intensity, makes some questionable choices that keep the tension high. The performances are solid, especially the dynamic between him and Maria. I mean, hiring an assassin to kill another assassin? That's a wild turn. The practical effects have that raw edge, which feels fitting for its '90s era. It's not groundbreaking but it leaves you with this lingering sense of moral ambiguity, something you don’t see too often in this genre.
Gritty atmosphere with a pulpy vibeComplex character dynamicsNotable practical effects for the era
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