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Kiri (The Fog) is a fascinating piece, really, especially for anyone interested in experimental cinema. Shot on 8mm, the film's atmosphere is almost tactile, with those harsh winds making the fog feel alive, even invasive. The way the scratches blend with the mist creates a unique texture; it’s like watching something both delicate and aggressive at the same time. This film's pacing mirrors its namesake, with moments of stillness interrupted by those unsettling gusts. While it nods to Larry Gottheim's Fog Line, Kiri carves out its own space in the realm of visual poetry. It’s an exploration of nature’s raw power and a reflection on how we perceive our surroundings—definitely distinct in its execution and mood.
Kiri (The Fog) is a somewhat elusive title within the collector community, given its limited prints and distribution. Originally shot on 8mm, it embodies a distinct era of experimental filmmaking that many enthusiasts appreciate. While not widely circulated, those who have encountered it often speak of its atmospheric qualities and unique visual style, making it a worthy find for collectors focusing on avant-garde cinema.
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