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Le deuxième jour is quite the atmospheric piece. The film immerses you in this gritty, chaotic New York, where smog hangs heavy yet there’s a strange tranquility underneath. The pacing is contemplative; you get lost in the sights and sounds that Cahen captures. It’s not flashy or overdone, but there’s something intimate about the way he observes moments of both disarray and calm. The practical effects are minimal, which adds to its raw feel. It’s a film that feels like a time capsule, reflecting a city caught between past and future, and it really makes you think about urban life.
Le deuxième jour has a bit of a niche following among collectors, mainly due to its unique approach to the documentary style blended with narrative elements. It was released in limited formats, making original copies harder to come by. Interest seems to grow as more collectors recognize its distinctive take on urban life, and it certainly stands out in discussions about lesser-known works from the late '80s.
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