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So, 'Le lapin rose'—Joseph Morder's fifth foray into the journal film realm—is an interesting piece. Shot over those six months in 1980, it captures this raw, almost intimate slice of life. The pacing feels unhurried, letting you soak in the atmosphere rather than rushing to conclusions. There's a certain whimsy that permeates the visuals, even as it touches on more serious themes of existence and memory. It's a patchwork of practical effects and real moments, which gives it a distinctive feel. You might find the performances a bit unconventional, but they add to that authenticity. Overall, it’s one of those films that lingers, not necessarily for the narrative, but for the feeling it evokes as you watch.
Unique journal film approachCaptures intimate moments from 1980Explores themes of existence and memory
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