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So, 'Les cahiers du cinéma' is quite the peculiar watch in the realm of avant-garde cinema. You feel the spontaneity in its structure, almost like a collage of thoughts rather than a straightforward narrative. The atmosphere is oddly playful yet disorienting, mostly due to the way it melds two training films with a layer of absurdity added by Bouyxou and Godin's credits. It holds a certain charm, with performances that feel unpolished but genuine, giving it an experimental edge. The pacing is erratic, which seems intentional, making the viewer question the very nature of what they're seeing. It’s a curious artifact that stands out for its conceptual audacity.
This film is part of a niche yet intriguing segment of cinema that collectors find fascinating. Given its experimental nature and the obscurity surrounding its director, it doesn't often appear in standard collections, which adds to its allure. Expect some difficulty in finding it in physical formats, as VHS copies or rare screenings are often the only way to experience it. Collectors appreciate its historical context in the ready-made film movement, making it a notable piece for those interested in the evolution of cinematic art.
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