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LHR is one of those rare gems that captures a slice of life at Heathrow, all in a vibrant anamorphic color scheme. The film's pacing invites you to drift through the chaos of the airport, as planes land and people bustle about. It's interesting how they chose to forgo direct sound, relying entirely on layered tracks crafted in post-production. This decision gives it a dream-like quality—almost like an experimental music video disguised as a documentary. You really get a sense of the airport's rhythm, with the visuals and sounds intertwining in unexpected ways. It’s not just about the planes; it’s about the people, the transience. A unique take for its time, not something you see every day.
Unique sound design created in post-productionAnamorphic color adds a distinct visual flairFocus on the human experience in transit
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Key Crew
Mike Fox
Director
Mike Fox
Writer