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Life Goes On (1938) dives into the gritty realities of urban life, where Sally Weston, after losing her husband, seeks a new start in New York City with her two sons. The film juggles themes of ambition and morality—Bob's ascent to a lawyer contrasts sharply with Henry's descent into crime, influenced by the shadowy figure of gangster 'Bull' Connors. The pacing can feel uneven at times, but it captures the tumultuous spirit of the era quite well. The performances, especially by the leads, lend a raw authenticity to the story, and there are moments of practical effects that, while modest, give a real sense of the world they inhabit. It's a solid representation of 30s cinema exploring the duality of human nature.
This film is quite scarce in physical formats, with few prints circulating among collectors. There's a certain allure to its exploration of moral conflict that has piqued interest over the years. The action and crime elements, typical of the era, mesh with its dramatic undertones, making it a unique piece for those who appreciate the nuances of 30s filmmaking.
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