Line

About This Movie

So, 'Line' is this intriguing artifact from '69, where you’ve got Susan Marshall as this blond woman dressed in striking white, navigating her way around a moving round object. The camerawork by Phill Niblock really stands out, creating a sort of hypnotic feel, drawing your attention into this strange interaction. The pacing feels almost meditative, a slow dance between the subject and her surroundings that invites you to ponder the themes of movement and stillness. There’s a certain rawness to it all, a practical kind of effect that makes you aware of both the camera's presence and the subtlety of the performance. Definitely a distinctive piece for those who appreciate experimental cinema.

'Line' remains relatively scarce in collector circles, often overshadowed by more mainstream releases from the same era. It has appeared infrequently on various formats, making any available copies particularly sought after by those interested in avant-garde and experimental films. Its unique style and approach to performance versus environment resonate well with collectors who appreciate the nuances of early experimental cinema.