Lisa Rovner ce cinématon qui faillit être le dernier

About This Movie

Lisa Rovner's Cinématon No. 2116 is like a bittersweet farewell to a cherished medium, isn't it? Shot in Super 8, this documentary captures a certain rawness that digital can't quite replicate. The pacing feels contemplative, almost meditative, as it reflects on the essence of filmmaking itself. The film's atmosphere is infused with nostalgia, especially when you realize it’s the last of its kind after Kodachrome's production ended. There’s a distinct charm in the imperfections of the medium, each frame telling a story of its own. It's not just about the images; it’s about the process, the persistence of art in the face of change. You can feel Rovner's passion and thoughtfulness throughout, making it a significant, if not the last, chapter in this filmic journey.

Last film shot on KodachromeNostalgic toneContemplative pacing