Manifesto aka Struck by the Hand

About This Movie

Manifesto, or Struck by the Hand, is an intriguing piece that feels more like a raw manifesto than a traditional film. Captured as a guerilla action on the iconic steps of the Metropolitan Museum, it bears the mark of Italo Zamboni, who identifies himself as the last painter of the 20th century. The atmosphere is almost electric, charged with spontaneity, as it dives into a blend of performance art and cinema. The pacing can be jarring, echoing the chaotic energy of its setting. Edited at the now-defunct Experimental Television Center, the film carries a distinct avant-garde flair that speaks to the experimental movement of its time.

This film is quite elusive, with limited availability in collector circles. Formats have been scarce, and it often surfaces in discussions about underground cinema. The experimental nature makes it a niche interest, attracting those who appreciate avant-garde works. As it's tied to the legacy of the Experimental Television Center, there's a certain cachet that comes with owning this piece for collectors who value the intersection of art and film.